Reality Films

Title: Robin Hood: The Truth Behind Hollywood’s Most Filmed Legend
Genre: Documentary, Robin Hood, Action and Adventure
Production Company: Reality Films

Robin Hood: The Truth Behind Hollywood’s Most Filmed Legend is a documentary by Philip Gardiner. The film opens with contemporary actors playing Robin Hood and his band of noble rebels, with enchanting scenes of Sherwood Forest and some medieval ruins and artifacts.

Within this authentic setting, Robin Hood digs into historical records, folkloric possibilities and mythological parallels around the legend of Robin Hood, the pervasive culture hero who “steals from the rich and gives to the poor.”

The film is rich and informative and the recreation atmosphere is convincing. While the actors portraying the outlaw community are obviously modern, they seem to resonate nicely with the Robin Hood myth, probably because most are local forestry workers who volunteered for the film.

The first half of Robin Hood covers all the proverbial bases. Then the film shifts to advance the filmmaker’s Gnostic leanings, which closely resemble those of the Swiss psychiatrist, C. G. Jung. At least, this seems to be the case. I’ve never met Philip Gardiner and am assuming that Gnosticism reflects his own beliefs. This seems a reasonable guess because many of his films depict Gnosticism as a shining counterpoint to a tarnished old Christian Church.

Christians who see the New Testament as a theological work containing elements of fact, myth and exaggeration, might balk at Robin Hood’s claim that Jesus Christ and John the Baptist are equals.

Consider the New Testament:

John replied to all of them, “I am baptizing you with water, but one is coming who is more powerful than I, and I’m not worthy to untie his sandal straps. It is he who will baptize you with the Holy Spirit and fire” (Luke 3:16).

Despite what the New Testament story pretty clearly says, Robin Hood suggests that the archetypal pair of Jesus and John also manifests in the images of Robin Hood and Little John, the Graeco-Roman twins Castor and Pollux, and in countless other mythic exemplars and cosmological models.

Carl Jung, who devised the modern idea of the archetype, also made liberal use of analogy in world religion and myth. Jung claimed that the basic truths underlying diverse archetypal imagery were discernible through his own brand of “analytical” psychology.

Some scholars, however, have little sympathy for Jung’s approach, maintaining that the extensive use of analogy is usually too loose and not connected to actual historical and cultural contexts. Unrestrained analogizing, they say, yields specious arguments and ultimately detracts from a given study’s credibility.

Scholars like this say that contemporary scholarship is quickly falling into a kind of black hole where any pseudo-historical truth claim is passed off as fact—as long as it sells. Meanwhile, other authors and researchers promote the liberal use of analogy, equating it with seeing “The Big Picture.”

Does the unrestrained use of analogy really give us the Big Picture. Or does it just seem to, if we don’t know any better?

Enter the Christian theologians, particularly Catholics, who say the contemporary Church doesn’t mindlessly bash Gnostic and Pagan elements but ennobles their worthwhile aspects within the higher, more comprehensive perspective afforded  by Christian belief. That’s why, they’ll argue, we find various artworks depicting Pagan themes within the Vatican museums.

Not a few Protestants, of course, object to this scenario. Some even pejoratively call the Catholic Church the “Whore of Babylon.” But this isn’t the place to delve into the complexities of religious rivalry.

Robin Hood has something for everyone. It brings to life the timeless tale of a notorious sinner-saint who, like many before him, takes refuge in the woods while seeking justice in the face of an ignoble ruler.  Even the most discerning of scholars might learn from this film, lest they get lost in the minutiae and miss the forest for the trees.

Special features include more commentaries and Gnostic/Pagan pop music videos.