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A Little End of Summer Arts and Culture

Last night I had two scary dreams. One was that some burly stooges posing as workers for a home security company came to my childhood home to physically abduct me. I awoke startled.

The second dream had me back in university. My dorm room had been changed from a distant, satellite dorm at the edge of town to another room more central within the university village. All the books and items in the room looked vaguely familiar but not quite right. Next thing I knew, some creepy people came in, began to set up a portable operating table, and told me I was scheduled for an operation. When I asked an attendant “What operation?” she replied “I don’t know.”

Sensing serious danger, I asked to make a call and woke up, thinking I would have had to be like that guy in The Fugitive to escape something horrible.

Truly scary dreams. I hope they just mean slow down and take it easy for a while, which is what I intend to do today. Everyone else gets summer holidays and, although I’m not going anywhere physically different, I think I’ll just take in some arts and culture for a while, and post my discoveries here.

The most recent discovery is tweeted at the top of the page. I like this painting. Notice how the more important guy has better, more ostentatious clothing and bigger, more expressive eyes. What really struck me, however, was the larger globe in the picture. Fascinating how mythological creatures are intertwined with the scientific mapping (zoom in to see). We’ve lost that mythic connection to science, although some writers like James Hillman suggest that we’re just fooling ourselves. The mythic is still present and even science is a kind of mythic pattern.

I guess that’s in line with what I’ve been arguing all along here at Earthpages.org and Earthpages.ca. But as I said, it’s my holiday, of sorts, and I don’t feel like going into it any further right now!

Drawing of Mozart in silverpoint, made by Dora...

Drawing of Mozart in silverpoint, made by Dora Stock during Mozart’s visit to Dresden, April 1789 (Photo credit: Wikipedia)

The other discovery, made last night, is something I’m listening to right now: Venice Classical Radio. I almost feel like I’m living in some little flat in Venice while listening to this excellent station. The selections are accessible but relatively uncommon. I’ve only heard one Mozart staple, which I enjoyed anyhow (pretty hard not to like Mozart).

 


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Online demonstration of Carl Jung’s “synchronicty”


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david bowie – in memory of a great artist

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Sinatra sings louder than ever


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Merry Christmas!

The Flight into Egypt by Giotto di Bondone (13...

The Flight into Egypt by Giotto di Bondone (1304-06, Scrovegni Chapel, Padua). (Photo credit: Wikipedia)

To celebrate Christmas I worked on a tune that started out as an exercise in exotic scales. There’s an app at Reaper.fm, the digital workstation that I use, that has countless scales. Probably more than anyone could ever use. So I picked a few that sounded good, tried to blend them together, and soon after realized that it was turning into an unconventional Christmas Story (musically speaking).

Just tonight on Christmas Eve I was watching a show about the flight into Egypt. How Joseph and Mary had to flee from the paranoid King Herod, who was killing all the firstborn because he got wind from the Magi that a King had been born. After a while, sitting in front of our Christmas tree, I felt that this tune sort of captured the flight.

Unconventional, yes. But then, so was Jesus Christ, who continues to be more radical (in a good way) than any other figure to have walked this Earth.

Merry Christmas to all who wish to celebrate this hallowed holiday. The lights and gifts are great. But they’re just symbols of something far greater.

Enjoy!

–Michael Clark


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What your musical taste says about your personality

English: Tenori-on is an electronic musical in...

Tenori-on is an electronic musical instrument. (Photo credit: Wikipedia)

David Greenberg, University of Cambridge

We’re exposed to music for nearly 20% of our waking lives. But much of our musical experience seems to be a mystery. Why does some music bring us to tears while other pieces make us dance? Why is it that the music that we like can make others agitated? And why do some people seem to have a natural ability to play music while others have difficulty carrying a tune? Science is beginning to show that these individual differences are not just random but are, in part, due to people’s personalities.

My colleagues and I have published research showing that people’s musical preferences are linked to three broad thinking styles. Empathisers (Type E) have a strong interest in people’s thoughts and emotions. Systemisers (Type S) have a strong interest in patterns, systems and the rules that govern the world. And those who score relatively equally on empathy and systemising are classified as Type B for “balanced”.

Research from the past decade has shown that 95% of people can be classified into one of these three groups and that they predict a lot of human behaviour. For example, they can predict things such as whether someone studies maths and science, or humanities at university. For the first time, we have shown that they can predict musical behaviour, too.

Matching music with thinking style

To study this phenomenon, we conducted multiple studies with over 4,000 participants. We took data on these participants’ thinking styles and asked them to listen to and indicate their preferences for up to 50 musical excerpts, representing a wide range of genres. Across these studies, we found that empathisers preferred mellow music that had low energy, sad emotions, and emotional depth, as heard in R&B, soft rock, and singer-songwriter genres. For example, empathising was linked to preferences for “Come Away With Me” by Norah Jones and Jeff Buckley’s recording of “Hallelujah”.

On the other hand, systemisers preferred more intense music, as heard in hard rock, punk and heavy metal genres. Systemisers also preferred music with intellectual depth and complexity as heard in avant-garde classical genres. For example, systemizing was linked to preferences for Alexander Scriabin’s “Etude opus 65 no 3”. Importantly, those who are Type B, had a tendency to prefer music that spans more of a range than the other two thinking styles.

In our most recent study, published in the Journal of Research of Personality, we found that people’s personality traits can also predict their musical ability, even if they don’t play an instrument. Our team worked with BBC Lab UK to recruit over 7,000 participants and assess them for five distinct personality dimensions: openness, conscientiousness, extroversion, agreeableness, and neuroticism/emotionality stability. We also asked them to conduct various tasks that measured their musical ability, including remembering melodies and picking out rhythms.

We found that, next to musical training, the personality trait of openness was the strongest predictor of musical sophistication. People who score highly for openness are imaginative, have a wide range of interests, and are open to new ways of thinking and changes in their environment. Those who score low on openness (or who are “closed”) are more set in their ways, prefer routine and the familiar, and tend to have more conventional values. We also found that extroverts who are often more talkative, assertive, and excitement-seeking had greater singing abilities.

Furthermore, we could apply this even to people who did not currently play a musical instrument, meaning there are people who have a potential for musical talent but are entirely unaware of it.

Music therapy

These new findings tell us that from a person’s musical taste and ability, we can infer a range of information about their personality and the way that they think.

This research shows there are factors beyond our awareness that shape our musical experiences. We hope that these findings can be of help to teachers, parents, and clinicians. Based on information about personality, educators can ensure that children with the potential for musical talent have the opportunity to learn a musical instrument. Music therapists can use information about thinking style to help tailor their therapies for clients, too.

We are also interested in how knowledge gained from science can help children and adults on the autism spectrum who have difficulties with communication, as we recently wrote in the journal Empirical Musicology Review. This could also help people process emotions after experiencing a psychological trauma and when grieving a loss. In fact, initial findings from our lab suggest that people who experienced a traumatic event in childhood engage with music quite differently in adulthood than those who did not experience a trauma.

If you want to find out how you score on musical ability, preferences, and personality, you can take these tests at www.musicaluniverse.org.

The Conversation

David Greenberg, PhD candidate, psychology, University of Cambridge

This article was originally published on The Conversation. Read the original article.


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Hovering

Listening to this today, I finally put my finger on what it sounds like to me. An ethereal time machine… spinning thru the centuries, hovering over different eras. Funny thing about this time machine is that it’s sorta got a personality. So that’s why I tagged it “mad computer” and “man machine” at SoundCloud.

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